Wyniki
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Trickster games in the public space : between art and culture jamming
Magdalena Zięba
World Art Studies 10 (2012) s. 143-153 -
Cecylia Malik's anarchic and mischievous actions, inspirations and related situations
Magdalena Worłowska
World Art Studies 10 (2012) s. 155-161 -
Saikokai and the paradigm shift in the appreciation of ceramics in Japan
Magdalena Kołodziej
World Art Studies 9 (2012) s. 113-118 -
Chinese Art Scene in 1979–2000 from the Perspective of Performance Art
Magdalena Czechońska
World Art Studies 6 (2011) s. 335-339 -
Mexican art in the collection of Stanisław Kasprzyk
Magdalena Nierzwicka
World Art Studies 16 (2016) s. 89-96 -
Art in the Warsaw Ghetto
Magdalena Tarnowska
World Art Studies 3 (2010) s. 371-384 -
Authenticity (aura) recycled : erasing originality in appropriation art
Magdalena Zięba
World Art Studies 13 (2014) s. 253-263 -
'Let self-effacement be my way of blazing' : erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
Magdalena Worłowska
World Art Studies 13 (2014) s. 323-328 -
Ecologically oriented Land Art in Poland in the 1960s and 1970s
Magdalena Worłowska
World Art Studies 14 (2015) s. 35-41 -
Exhibition 'Beyond Green. Toward a Sustainable Art' : between art and art of sustainable display
Magdalena Zięba
World Art Studies 14 (2015) s. 151-158 -
In-cluded - ex-cluded : Marian Sokołowski's building of the Monument of Art History at the end of the 19th century
Magdalena Kunińska
World Art Studies 7 (2012) s. 101-109 -
Cultural performance in photography of Japanese women artists
Magdalena Furmanik-Kowalska
World Art Studies 9 (2012) s. 327-332 -
Threads between Past and Future : Lin Tianmiao's Installations
Magdalena Furmanik-Kowalska
World Art Studies 6 (2011) s. 341-347 -
'Terra incognita' : on cartographic silence on old maps : (Middle Ages and the beginning of the Early Modern Period)
Maria Magdalena Morawiecka
World Art Studies 13 (2014) s. 317-322 -
Miniatures from Persian manuscripts : the history of Polish collections
Magdalena Ginter-Frołow
World Art Studies 5 (2011) s. 401-413